01 — Reel
Showreel
01 — Reel
02 — Credits
| Year | Title | Role | Platform / Client |
|---|---|---|---|
| 2026 | Deep Water | VFX Compositor | Feature Film |
| 2024 | 1992 | VFX Compositor | Netflix |
| 2024 | Red Queen S1 | VFX Compositor | Prime Video |
| 2024 | Valle de Sombras | VFX Compositor | Netflix |
| 2024 | Tratamos Demasiado Bien a las Mujeres | VFX Compositor | Prime Video |
| 2024 | V de Víctor | VFX Compositor | Feature Film |
| 2023 | Awareness | VFX Compositor | Prime Video |
| 2023 | 30 Coins S2 | VFX Compositor | HBO Max |
| Short Films & Music Videos | |||
| 2026 | 100 Rosas y Un Puñal | VFX Compositor | Music Video |
| 2024 | Los Domingos que Quedan | VFX Compositor | Short Film |
| 2023 | Reflejo | VFX Compositor | Short Film |
| Year | Title / Campaign | Role | Platform / Client |
|---|---|---|---|
| 2026 | Pepsi Football Nation | VFX Compositor | Pepsi |
| 2026 | Gatorade: Is It You? | VFX Compositor | Gatorade |
| 2025 | Fairphone | VFX Compositor | Fairphone |
| 2024 | Iberdrola: No Matter What Happens | VFX Compositor | Iberdrola |
| 2024 | Agua Mineral Canaima | VFX Compositor | Canaima |
| 2023 | Swatch x Art Journey | VFX Compositor | Swatch |
03 — About
Over the past four years I've worked on productions for Netflix, Prime Video and HBO Max — including titles like Red Queen, Awareness and 30 Coins — as well as commercial campaigns for brands like Pepsi, Gatorade and Swatch.
I work primarily in Nuke, and I care about shots that feel invisible: the kind where the work serves the story without drawing attention to itself.
I'm open to remote work and relocation.
04 — Contact